Hinemosu 30 Computer Display by Yuichiro Katsumoto

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DESIGN DETAILS
DESIGN NAME:
Hinemosu 30

PRIMARY FUNCTION:
Computer Display

INSPIRATION:
The human life is often likened to a line. The line is never straight. It bends, twists, thickens, and thins. The lines are similar to lines drawn by humans for writing. Modern computers output data using points (pixels). Conversely, this designer believes that lines are the source of our life and creativity and wants to let the computer control linear objects. The fruition of this intention, Hinemosu 30 displays letters and patterns by twisting five white elastic bands with thirty actuators to represent the passage of time.

UNIQUE PROPERTIES / PROJECT DESCRIPTION:
Hinemosu 30 is a computer display that shows the time and date by twisting five white elastic bands. The five thick lines are controlled by thirty actuators and display a dizzying kinetic typography and motion graphics. The moving image generated by the computer software connected to the device evoke textile patterns, ocean waves, mountain storms, and falling snow. The mechanical sounds produced by the actuators are reminiscent of the sounds of water and wind in nature.

OPERATION / FLOW / INTERACTION:
Automatic operation by software.

PROJECT DURATION AND LOCATION:
This project started in the fall of 2022 and partially finished in the summer of 2023.

PRODUCTION / REALIZATION TECHNOLOGY:
Components: Elastic Bands, Servo Motors, Micro Controllers, Aluminum Flame, Acrylic Board, MacBook Air.

SPECIFICATIONS / TECHNICAL PROPERTIES:
280mm (W) x 120mm (D) x 300mm (H), 5kg.

TAGS:
Kinetic Typography, Motion Graphics, Visualization, Physicalization, Elastic Band, Rubber, Clock

RESEARCH ABSTRACT:
This project had been explored kinetic typography by manipulating slender objects such as springs and strings with robot arms. Beyond such practices, the current focus is on flat liner object such as strips, ribbons, and tape with two sides of widely varying widths. Those lines change in apparent thickness depending on the viewpoint. For example, if the ribbon is tilted 90 degrees, the line will appear or disappear. If it is twisted from both ends, the line weight changes continuously like a sine wave. Lines drawn by humans with a brush or calligraphy pen also have continuous changes in line weight. Inspired by this similarity, Hinemosu 30 was designed.

CHALLENGE:
The creativity and novelty of this device lies in the fact that it displays computer-generated information using line-like and particularly strip-like objects rather than dot-like or brick-like objects. In comparison to discrete objects, the control of linear objects is more difficult to express delicately because of mutual interference in mechanics. These limitations were overcome in terms of hardware and software in this project through circular prototyping. In this work, five white elastic bands are arranged horizontally in a black picture frame. Each band is 250 mm long, 40 mm wide, and 1 mm thick. Six white plastic guides are attached to the band horizontally at 42 mm intervals. These guides are used to tilt the band and are linked to servo motors mounted on the back of the picture frame. The servo motor can twist the band in a range of approximately -60 to 90 degrees, although there are slight individual differences. When the servo motor is at 0 degrees, the apparent width of the elastic band is thickest, and at 90 degrees, it is thinnest. This work uses thirty servo motors, all of which are controlled by a software running on Mac. This software was developed using Cycling '74 Max and generates motion graphics and kinetic typography, calculates the numerical values to control the thirty actuators individually. And it sends the data to the micro controller in Hinemosu 30 via USB Cable.

ADDED DATE:
2024-02-27 06:13:04

TEAM MEMBERS (1) :


IMAGE CREDITS:
Yuichiro Katsumoto

PATENTS/COPYRIGHTS:
Copyrights belong to Yuichiro Katsumoto, 2023.

Visit the following page to learn more: https://www.katsumotoy.com/


CLIENT/STUDIO/BRAND DETAILS
NAME:
The Utsuroi Lab

PROFILE:
Utsuroi is a poetic Japanese word that means change, transition, transformation, movement, or passage. The Utsuroi Lab creates Utsuroi gadgets by inventing novel technologies and finding multi-cultural contexts. This lab was founded in 2019 by Yuichiro Katsumoto at the School of Science and Technology, Tokyo Denki University. And, Hinemosu 30 was supported by JSPS KAKENHI Grant Number JP20K12125.



NOMINATION DETAILS

Hinemosu 30 Computer Display by Yuichiro Katsumoto is a Nominee in Generative, Algorithmic, Parametric and AI-Assisted Design Category.

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AWARD DETAILS

Hinemosu 30 Computer Display by Yuichiro Katsumoto is Winner in Generative, Algorithmic, Parametric and AI-Assisted Design Category, 2023 - 2024.



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COMMENTS
Giulia Esposito Comment #100335 on June 22, 2024, 3:13 am
The innovative approach of Hinemosu 30, which masterfully uses thirty actuators to manipulate five white elastic bands within a sleek frame, marks a significant leap forward in the realm of computer displays. This piece transcends the traditional boundaries of digital output by embodying the concept that life, similar to our creativity, is not merely a collection of points but a series of evolving lines. The way these bands twist and turn to display time, patterns, and even kinetic typography is nothing short of mesmerizing, evoking the natural beauty of textile patterns, ocean waves, mountain storms, and the serene fall of snow. The accompanying mechanical symphony of sounds further bridges the gap between the digital and the natural, offering a multi-sensory experience that is profoundly impactful. The technical prowess required to overcome the inherent challenges in controlling linear objects with such delicate precision speaks volumes of the dedication and innovation at the heart of this project. The use of modern technology, including servo motors and microcontrollers, paired with the intuitive software developed in Cycling '74 Max, showcases an exemplary model of how hardware and software can harmonize to bring a visionary concept to life. This work not only challenges our perceptions of time and information display but also invites us to reconsider the role of technology in our lives as an extension of the natural world around us. The award-winning Hinemosu 30 by Yuichiro Katsumoto is a testament to the power of creative vision fused with technological mastery, setting a new standard for what is possible in the realm of Generative, Algorithmic, Parametric, and AI-Assisted Design.
Chloe Turner Comment #100908 on June 22, 2024, 5:08 am
The winning of the A' Design Award for "Hinemosu 30" in the category of Generative, Algorithmic, Parametric and AI-Assisted Design is a testament to the innovative and deeply thoughtful approach to design that challenges our conventional interactions with digital interfaces. The concept of transforming the essence of human life and creativity into a tangible, visual form through the manipulation of lines rather than traditional pixels is not only revolutionary but also evokes a profound connection to the very nature of our existence and how we perceive time and communication. The use of thirty actuators to twist white elastic bands into letters and patterns captures the impermanence and fluidity of life, reminding us that beauty and meaning can emerge from the simplest of concepts, elegantly executed. This work does not just represent a technological advancement but also a poetic commentary on the human condition, pushing the boundaries of what is possible in design and how we interact with the machines that are an integral part of our daily lives. The ingenuity and depth of thought that went into this project are truly inspiring, making it a deserving recipient of such a prestigious accolade.
Paul Phillips Comment #101150 on June 22, 2024, 5:56 am
The innovative integration of technology and design in "Hinemosu 30" truly showcases the boundless possibilities within the realm of Generative, Algorithmic, Parametric, and AI-Assisted Design. The ingenious use of white elastic bands to depict time and date, controlled by thirty actuators to create a mesmerizing display of kinetic typography and motion graphics, is nothing short of revolutionary. This work not only represents a significant advancement in computer displays but also serves as a bridge between the digital and the natural world, evoking elements of textile patterns, ocean waves, mountain storms, and falling snow. Furthermore, the incorporation of mechanical sounds, reminiscent of water and wind, adds a profound sensory dimension to the experience, enhancing the user's connection with nature through technology. The achievement of being recognized with the A' Design Award is well-deserved, marking a milestone in the journey of exploring new frontiers in design. The dedication to pushing the boundaries of what is possible, combined with a deep appreciation for the aesthetics of motion and sound, truly sets this work apart. It is an honor to witness such an exemplary demonstration of creativity and innovation in design.
Thomas Anderson Comment #101216 on June 22, 2024, 6:09 am
The ingenuity and creativity displayed in the creation of "Hinemosu 30" are truly inspiring. The concept of using white elastic bands controlled by thirty actuators to display time and date through kinetic typography and motion graphics is not just innovative but a breathtaking blend of technology and art. This piece, by its very nature, challenges our conventional perceptions of digital displays and interfaces, providing a mesmerizing visual experience that evokes textile patterns, ocean waves, mountain storms, and falling snow. The auditory experience, reminiscent of nature's sounds, adds an additional layer of depth, making it not just a visual masterpiece but a multisensory experience. The philosophical inspiration behind this work, exploring the significance of lines in human life and creativity, is profoundly thought-provoking. It beautifully encapsulates the essence of life's unpredictability and dynamism through the manipulation of linear objects, thereby offering a fresh perspective on the representation of time and data. This work is a testament to the power of bridging technology with human creativity to explore and express complex concepts in an aesthetically pleasing and meaningful manner. The dedication and skill that went into creating such a piece are commendable and truly deserving of the recognition it has received.
Walter Graham Comment #101225 on June 22, 2024, 6:11 am
It is with great admiration that I reflect upon Yuichiro Katsumoto's remarkable achievement in winning the Platinum A' Design Award for the groundbreaking "Hinemosu 30". This work is not only a testament to Katsumoto's innovative approach to design but also an inspiring example of how generative, algorithmic, parametric, and AI-assisted design can transcend traditional boundaries. The Hinemosu 30, with its unique mechanism of twisting white elastic bands to display time and date, beautifully encapsulates the essence of our lives as ever-changing lines. This design, evoking images of textile patterns, ocean waves, mountain storms, and falling snow through kinetic typography and motion graphics, is a masterful integration of technology and artistry. The concept of controlling linear objects to represent the passage of time is both profound and poetic, showcasing Katsumoto's deep reflection on the intersection of human life, creativity, and digital expression. The Platinum A' Design Award is a prestigious recognition, reserved for the most exceptional designs, and it is evident that Hinemosu 30's innovative approach and philosophical depth truly deserve this honor. Yuichiro Katsumoto has not only achieved a remarkable milestone in their career but has also set a high bar for future endeavors in the design world.
Elisabeth Clark Comment #101742 on June 22, 2024, 7:54 am
The award-winning "Hinemosu 30" by Yuichiro Katsumoto is a testament to the innovative fusion of technology and design, where the boundaries of digital expression and kinetic art are not just blurred but beautifully intertwined. The conceptual depth of using white elastic bands to represent the fluidity and complexity of time and our lives, controlled by thirty actuators, is not only a technical marvel but also a poetic reflection on the nature of human existence. The way these elements come together to evoke images of textile patterns, ocean waves, mountain storms, and falling snow, complemented by the naturalistic sounds of water and wind, is an immersive experience that transcends the conventional purpose of a computer display. Yuichiro Katsumoto’s exploration into kinetic typography and the manipulation of linear objects like ribbons to depict the continuous flow and transformation of lines speaks volumes about the innovative research and creative thought process behind "Hinemosu 30". This work is a brilliant example of how generative, algorithmic, parametric, and AI-assisted design can lead to the creation of art that resonates with our deepest senses and perceptions. The A' Design Award recognition is well-deserved, showcasing Yuichiro Katsumoto's ability to challenge and inspire the design world with their visionary approach to combining technology and artistry.
Adam Harris Comment #102181 on June 22, 2024, 9:22 am
The award-winning "Hinemosu 30" stands as a profound testament to the innovative fusion of technology and design, capturing the essence of time and nature through its mesmerizing display of kinetic typography and motion graphics. It is truly inspiring to see how the project pushes the boundaries of conventional computer displays, utilizing elastic bands controlled by actuators to create a dynamic visual experience that goes beyond static pixels to evoke the fluidity and beauty of the natural world. The dedication to exploring the potential of linear objects in digital expression, as demonstrated in this piece, not only showcases a remarkable level of creativity and technical skill but also offers a refreshing perspective on the interaction between digital technology and the physical materials it manipulates. This work beautifully encapsulates the spirit of Generative, Algorithmic, Parametric, and AI-Assisted Design, making it a deserving recipient of the A' Design Award. The meticulous research and innovation behind the project are evident in every aspect of its execution, from the concept to the final display, marking a significant achievement in the field of design.
Paul Williams Comment #102389 on June 22, 2024, 10:04 am
Hinemosu 30's innovative approach to visualizing time and data through the manipulation of physical objects is nothing short of revolutionary, marking a significant milestone in the field of Generative, Algorithmic, Parametric, and AI-Assisted Design. The ingenious use of white elastic bands controlled by thirty actuators to create a dynamic display of kinetic typography and motion graphics is a testament to the blend of artistic creativity and technological prowess. The ability to evoke the natural elements of textile patterns, ocean waves, mountain storms, and falling snow, all while generating the mechanical sounds reminiscent of water and wind, showcases an extraordinary level of ingenuity and attention to detail. The conceptual underpinning, drawing inspiration from the representation of human life as a line that bends, twists, thickens, and thins, imbues the work with profound philosophical depth. Moreover, the technical challenges overcome in the project, particularly in controlling linear objects to display computer-generated information delicately, highlight a remarkable advancement in hardware and software integration. It is truly inspiring to see how this work transcends traditional digital displays, offering a fresh and innovative perspective on time representation and the interaction between digital and physical realms. The recognition of this project with the A' Design Award is well-deserved, celebrating the fusion of art, design, and technology in creating something truly exceptional.
Victoria Hill Comment #102445 on June 22, 2024, 10:15 am
Hinemosu 30 stands as a testament to the innovative fusion of technology and art, masterfully blending the realms of generative, algorithmic, parametric, and AI-assisted design. Securing the Platinum A' Design Award in such a competitive category underscores the exceptional creativity, technical prowess, and profound thought process behind this piece. The ingenious use of white elastic bands manipulated by actuators to display time and invoke imagery reminiscent of nature's most captivating elements is nothing short of revolutionary. The exploration of kinetic typography through physical mediums rather than traditional digital interfaces challenges and expands our understanding of interaction design. The dedication to researching and overcoming the technical challenges associated with controlling linear objects reveals a commitment to pushing the boundaries of what is possible in design. This work not only captivates the senses with its aesthetic and auditory elements but also engages the intellect with its underlying philosophy and technical innovation. It is a remarkable achievement that sets a new benchmark for designers and artists alike, inspiring us to explore the uncharted territories of design with bravery and curiosity.
Mark Allen Comment #102949 on June 22, 2024, 11:56 am
The winning of the A' Design Award in the Generative, Algorithmic, Parametric, and AI-Assisted Design Category by the work titled "Hinemosu 30" is a testament to the innovative approach and creative execution in the realm of computer displays. By intertwining the temporal representation with kinetic typography and motion graphics through the manipulation of white elastic bands, this piece not only challenges conventional displays but also enchants viewers with its mesmerizing patterns that evoke nature's serene and dynamic elements. The thoughtful integration of technology with the poetic inspiration of life as a line, and the meticulous research and overcoming of challenges in controlling linear objects, highlight a remarkable dedication to pushing the boundaries of design. It is an honor to witness such a pioneering work that reimagines how we perceive and interact with digital information, making it an inspiring example of creativity and innovation in design.
Elena Petrenko Comment #103182 on June 22, 2024, 12:42 pm
The blending of traditional elements with cutting-edge technology in "Hinemosu 30" to create a kinetic display of time and date is truly a testament to innovative design thinking.
Stefano Moretti Comment #103274 on June 22, 2024, 1:01 pm
Hinemosu 30 stands as a testament to innovative design, blending the boundaries between art and technology through its unique display of time and data. Its use of elastic bands and actuators to create kinetic typography and motion graphics not only showcases an exceptional level of creativity but also pushes forward the possibilities of generative design. Congratulations on the well-deserved recognition with the Platinum A' Design Award, highlighting the project's outstanding contribution to the field of design.
Patricia Miller Comment #103312 on June 22, 2024, 1:08 pm
Hinemosu 30 is a mesmerizing fusion of technology and artistry, brilliantly embodying the fluidity and dynamism of life through its innovative use of elastic bands and actuators.
Anna Ivanova Comment #103347 on June 22, 2024, 1:15 pm
It is with great admiration that I acknowledge the exceptional achievement of Yuichiro Katsumoto for the "Hinemosu 30" in the A' Design Award, under the category of Generative, Algorithmic, Parametric and AI-Assisted Design. This accolade is a testament to the innovative approach and meticulous attention to detail evident in the "Hinemosu 30" computer display. Yuichiro Katsumoto's work stands as a beacon of creativity and excellence in the field, and it is an honor to recognize such a remarkable contribution to the domain of design.
Haruka Abe Comment #103379 on June 22, 2024, 1:22 pm
I am genuinely impressed by Yuichiro Katsumoto's innovative achievement in winning the Platinum A' Design Award for "Hinemosu 30," a testament to the outstanding creativity and skill in the realm of Generative, Algorithmic, Parametric, and AI-Assisted Design.

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