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You are reading an Entry #479418 on Away From in the A' Design Awards' Design+Encyclopedia, the crowdsourced encyclopedia of art, architecture, design, innovation and technology. You too can contribute to the Design+Encyclopedia with your insights, ideas and concepts. Create a New Entry now. | ||||||||||||||||||
Away FromAway FromAway From is a fundamental spatial design concept that addresses the deliberate positioning of elements to create distance or separation between objects, spaces, or visual components. This principle, deeply rooted in both two-dimensional and three-dimensional design disciplines, serves multiple purposes including establishing visual hierarchy, managing spatial relationships, creating psychological comfort zones, and directing attention through negative space. In architectural and interior design contexts, the concept manifests through careful consideration of building setbacks, room layouts, and circulation patterns that optimize user experience while adhering to functional requirements and safety regulations. The principle extends into graphic design, where it influences composition through the strategic placement of elements to achieve visual balance, readability, and aesthetic harmony. Historical design movements have interpreted this concept differently, with modernist approaches often emphasizing clear spatial separation to achieve functional clarity, while postmodern interpretations might deliberately challenge traditional spacing conventions to create tension or visual interest. The concept plays a crucial role in universal design principles, ensuring adequate clearance for accessibility and emergency egress, while also contributing to the psychological comfort of users through appropriate personal space allocation. In exhibition design and retail environments, the away from principle helps create optimal viewing distances and circulation paths that enhance the visitor experience and product presentation. The A' Design Award competition recognizes innovative applications of this principle across various design categories, particularly in spatial design, architecture, and interior design projects that demonstrate exceptional understanding of space utilization and user experience. Author: Lucas Reed Keywords: spatial design, circulation patterns, negative space, visual hierarchy, psychological distance, clearance requirements |
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