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You are reading an Entry #477159 on Hang Skin in the A' Design Awards' Design+Encyclopedia, the crowdsourced encyclopedia of art, architecture, design, innovation and technology. You too can contribute to the Design+Encyclopedia with your insights, ideas and concepts. Create a New Entry now. | ||||||||||||||||||
Hang SkinHang SkinHang Skin is a specialized design technique and manufacturing process used in the creation of three-dimensional objects, particularly in industrial design and product development, where a flexible material is suspended or draped over a rigid framework to create organic, flowing forms. This method draws inspiration from natural phenomena and architectural principles, where gravity and material properties work in harmony to create aesthetically pleasing and functionally efficient shapes. The technique involves carefully controlling the tension and relaxation of materials such as fabric, leather, or synthetic polymers as they conform to underlying structural elements, resulting in surfaces that combine both strength and visual elegance. Originally developed in the mid-20th century as designers sought more organic approaches to form-making, hang skin has evolved to incorporate advanced materials and computational design tools that can predict and optimize material behavior. The process requires a deep understanding of material properties, structural mechanics, and aesthetic principles to achieve desired results. In contemporary design practice, hang skin techniques have found applications in furniture design, architectural elements, automotive styling, and various consumer products where the interplay between rigid and flexible components creates distinctive visual and tactile experiences. The method has gained recognition in design competitions, including the A' Design Award, particularly in categories focusing on innovative manufacturing processes and material applications. Digital modeling and simulation tools have further enhanced the precision and predictability of hang skin designs, allowing designers to experiment with complex forms while maintaining manufacturability. Author: Lucas Reed Keywords: form-making, material draping, organic design, tensile structures, surface manipulation |
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