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Interview with Fabrizio Constanza |
Home > Designer Interviews > Fabrizio Constanza |
Editor Frank Scott (FS) from DesignPRWire has interviewed designer Fabrizio Constanza (FC) for A’ Design Award and Competition. You can access the full profile of Fabrizio Constanza by clicking here.
FS: Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
FC: "Art and design have been my lifelong passions, ingrained in me since the earliest days of my childhood. As I reflect on those formative years, I recall stare at a print by John Brandson in my parents' home. Gazing at the artwork, every day, my young mind eagerly sought to unravel its meaning, prompting me to turn to my father for guidance. His explanation of the painting as an artist's representation of the fields in Dorset, England left an indelible impression, despite my innocent observation that it resembled a leg. This encounter sparked a curiosity within me, a yearning to comprehend and engage with the transformative power of art. One of my most cherished memories took place during a trip to Madrid, where I stood before Picasso's masterpiece, 'Bombing of the Basque City.' This thought-provoking artwork stirred a myriad of emotions within me, and it was through my father's gentle guidance that I began to grasp the artwork's intended expression of fear. This encounter ignited my understanding of the intricate language of art, as well as its capacity to elicit profound emotional responses. Raised by a creative and resourceful mother, I was immersed in a world of fixing, renovating, and enhancing the objects around us. Her ability to find innovative solutions to everyday challenges and her pursuit of improvement resonated deeply within me. As a young child, I couldn't help but critically analyze and question the designs of my toys, yearning for a deeper understanding of why their creators seemed disconnected from the essence of play. These early experiences sparked my unwavering interest for Art and Design My educational journey led me to Guilford College, a small liberal art institution. Immersed in a vibrant community of artists and intellectuals, I embarked on a liberal arts program, still uncertain of the precise direction my creative calling would take. It was at UNC Greensboro, where I pursued both Pre-Engineering and art studies, that I found my true vocation. The university's esteemed art department, complemented by a modest yet influential art museum, served as the fertile ground for my artistic growth and exploration. Driven by an innate desire to forge connections between form and function, I discovered the captivating realm of industrial design. This fascinating discipline seamlessly merged my passion for aesthetics and practicality, sparking a deep resonance within me. With unwavering determination, I transferred to MSU Denver's Industrial Design program, drawn to the allure of the mountains and the infectious spirit of adventure. As an artist and designer, my unyielding commitment to innovation and improvement remains at the core of my creative philosophy. Throughout my career, I have continuously sought to push the boundaries of design, relentlessly pursuing ways to elevate products and experiences. Years later, as I delved into the realm of custom-designed art plinths for sculptures, I rediscovered the profound impact of art on my life. Engaging in deep analysis and contemplation, I felt a resurgence of creativity, embarking on a journey that led me from functional art to conceptual artistry. Today, my passion lies in seamlessly intertwining my expertise in industrial design with the captivating realms of art, forging a harmonious union of imagination and practicality. Inspired by the invaluable lessons gleaned from my academic pursuits and fueled by an unwavering desire for improvement, I strive to create designs that transcend the ordinary. Each creation is a testament to my unwavering belief that the seamless integration of art
FS: Can you tell us more about your company / design studio?
FC: "From its inception in 2000, our design studio embarked on a remarkable journey that has led us to the forefront of the industry. As the founder and creative force behind the company, I have diligently cultivated a reputation for excellence and innovation. Today, our design studio stands as a testament to our unwavering commitment to exceptional craftsmanship and imaginative design. At the core of our company's vision is the design and production of bespoke furniture, art furniture, and conceptual art. Over the course of 23 years, we have evolved and adapted to the ever-changing needs of the market, consistently surpassing expectations and pushing the boundaries of what is possible. Our early years were marked by a specialization in custom light fixtures for commercial applications, leveraging our expertise in metalwork, which was a natural progression given my background with a prominent light fixture company in Denver. However, our artistic journey took an exciting turn as clients sought our expertise in furniture solutions for restaurants and homes. Recognizing the shifting landscape, we wholeheartedly embraced the realm of wood furniture design. Drawing upon my extensive training in Denver, which emphasized the intricate nuances of furniture manufacturing techniques, our company seamlessly transitioned into a premier destination for custom furniture. By 2012, our creative prowess expanded to encompass a diverse range of design solutions. We found ourselves meticulously crafting brand identities for chain stores, developing innovative kitchen designs for restaurants, conceptualizing concealed security systems, and even crafting exquisite artistic plinths for cherished artwork. This multifaceted approach showcased our versatility and ability to cater to the distinct needs of our discerning clientele. In 2013, an exciting chapter unfolded as we introduced our own line of products, fusing our design sensibilities with market demands. This venture allowed us to showcase our unique vision and bring our meticulously crafted designs to a wider audience. Simultaneously, my personal journey as an artist took flight in 2015. Immersed in the world of art, I discovered an avenue for self-expression and solace, complementing our design projects while providing an unbounded creative outlet. By 2017, our company embarked on a new endeavor: the production and marketing of my artwork, elevating our studio to new artistic heights. Today, our design studio remains dedicated to crafting unparalleled in-home products and captivating art pieces, seamlessly blending functionality and artistic expression. Each project we undertake is a testament to our unwavering commitment to transforming spaces, pushing boundaries, and delighting our discerning clientele. With an unwavering passion for unique design solutions and an unrelenting pursuit of excellence, we continue to redefine the possibilities of art and design, leaving an indelible mark on the creative landscape."
FS: What is "design" for you?
FC: Design is the cornerstone of human progress, as everything we create and utilize is rooted in design. From simple objects to complex systems, design is the human activity that allows us to materialize our ideas. Design is also dynamic and constantly evolving to adapt to new needs and technologies. For instance, sustainable design and user-centered design are important trends in the field today. I would like to see more designs that address global issues in innovative ways and promote a more sustainable future. Unfortunately, in some cases, design becomes stagnant, and outdated models and patterns are repeated. One example of this is financial design, which continues to rely on antiquated and inefficient models. In this regard, it is crucial that we are capable of creating new economic designs that align with the current demands of the world and society.
FS: What kinds of works do you like designing most?
FC: "When it comes to design, I thrive on the diverse range of projects that come my way. Each one presents a unique challenge that fuels my creative drive. From the initial evaluation of the problem at hand to devising innovative solutions, I relish the entire design process. The ultimate satisfaction comes from delivering exceptional results, knowing that I've made a positive impact. Lately, I've developed a keen interest in projects related to cutting-edge AI technologies and their potential applications in mitigating environmental issues. I strongly believe that harnessing the power of AI can play a pivotal role in minimizing our ecological footprint. Consequently, I am eager to immerse myself in design initiatives that support these technologies and expedite solutions to urgent environmental problems. While this may seem beyond the scope of my expertise as a designer, my ability to analyze and reinvent existing objects has honed my skills in finding innovative solutions to complex challenges. I firmly believe that through a multidisciplinary approach, we can tackle the most pressing issues of our time and shape a sustainable future.
FS: What is your most favorite design, could you please tell more about it?
FC: Choosing a single favorite design is challenging, given the multitude of designs I admire. However, one design that has profoundly captivated me since its discovery is the Bugatti Type 57S Atlantic, masterfully crafted by Jean Bugatti, son of the legendary founder Ettore Bugatti. The sheer elegance and bold curves of this automobile are simply awe-inspiring. What sets the Bugatti Type 57S Atlantic apart is its unparalleled uniqueness. It stands as a testament to the power of pure design, untethered by market demands or trends. This resonates deeply with me because I am drawn to creating objects and art that are not dictated by the market or driven solely by financial gain. While it is essential to consider market trends for income generation, as a designer, I believe in the importance of pushing the boundaries and exploring innovative products that serve as mental exercises, leading us to uncover new solutions that were previously unimagined. In fact, even failures in the design process hold tremendous value. They serve as invaluable lessons and contribute to the development of crucial insights that can prevent future problems. This philosophy guides my approach as a designer, urging me to constantly seek innovation and discovery. The Bugatti Type 57S Atlantic represents a stunning work of automotive design and a symbol of the creative spirit that inspires me. It embodies the essence of pushing beyond the confines of convention, inviting us to explore uncharted territories in design and challenge the status quo.
FS: What was the first thing you designed for a company?
FC: During my senior year at design school in 1997, I had the opportunity to embark on an internship that marked the beginning of my professional design journey. This memorable experience took place at Dean Titanium Bicycles, located in the city of Boulder, Colorado. Dean Bicycles held a special place in the cycling industry as one of the pioneering manufacturers of titanium bikes in the United States, with a rich history dating back to the late 1980s. At the time of my internship, the bicycle market was undergoing significant transformations, particularly in the realm of titanium bikes. The aftermath of the USSR's dissolution resulted in a surplus of titanium, leading to the emergence of new producers offering more affordable titanium bikes. However, these bikes often featured lower-quality titanium. Additionally, the rapid development of full suspension bike technology and the rise of small manufacturing companies created a dynamic landscape for innovation. Within this exciting context, I had the privilege of joining Dean's design team, which was actively involved in developing the Duke, a cutting-edge mid travel full suspension bicycle model. It was a remarkable opportunity for me to contribute to the design process of this exceptional bike. Additionally, I had the chance to collaborate on the creation of a three-point pivot plate for a full suspension bike—an endeavor that further expanded my design skills and knowledge. Designing these components for Dean Titanium Bicycles not only exposed me to the intricacies of the industry but also allowed me to witness firsthand the power of design in shaping the performance and aesthetics of a product. It was a formative experience that fueled my passion for pushing boundaries and seeking innovative solutions. Looking back, I cherish the memories of my first design endeavor for a company. The internship at Dean Titanium Bicycles served as a stepping stone in my professional growth, propelling me toward a fulfilling career dedicated to creating meaningful and impactful designs.
FS: What is your favorite material / platform / technology?
FC: When it comes to materials, my preference lies with those that prioritize sustainability and environmental responsibility. I am drawn to biodegradable materials as a top choice, followed closely by recyclable options. In today's world, where the fashion industry and overproduction have taken a toll on our planet, I firmly believe in steering away from materials associated with fast fashion and embracing alternatives that are both eco-friendly and non-toxic to human health. In terms of technology, I find the combination of current CNC technologies and AI intelligence to be immensely powerful. These advancements in manufacturing processes, when integrated with the principles of zero waste, hold great promise for developing materials that minimize environmental impact. By leveraging these technologies, we can strive for a future where sustainability is at the forefront of every design endeavor. Looking ahead, my hope is to witness the emergence of environmentally friendly finishing products. Whether it be wood varnishes or textile dyes, I envision a time when these essential components of design will align with our commitment to safeguarding the environment. By embracing sustainable practices throughout the entire design process, from material selection to the finishing touches, we can pave the way for a more conscious and responsible approach to design. Ultimately, my favorite material, platform, and technology are all centered around the principles of sustainability and environmental stewardship. It is through these choices that we can create designs that not only inspire and captivate but also leave a positive impact on our planet and future generations.
FS: When do you feel the most creative?
FC: I tend to be more creative during the morning. My creative routine is to go to a coffee shop put on my headphones and sketch.
FS: Which aspects of a design do you focus more during designing?
FC: That would have to be composition balance. The Composition must be in an eternal balance. Also I am always on the lookout for situations that can occur that need to be predicted.
FS: What kind of emotions do you feel when you design?
FC: Excellent question, I know my mind is ready to develop a creative solution when I am feeling melancholic. Then I get into creative mode and two hours later I have the solution, immediately my feeling change to excitement.
FS: What kind of emotions do you feel when your designs are realized?
FC: I feel tranquil when a project is done. Design is a roller-coaster of emotions to me. Every project is an invigorating challenge.
FS: What makes a design successful?
FC: A successful design is that which complies with resolving the client’s vision.
FS: When judging a design as good or bad, which aspects do you consider first?
FC: I judge design by how well the design solves the problem, how functional is the solution, the Balance of composition, production quality, and lifespan vs disposing.
FS: From your point of view, what are the responsibilities of a designer for society and environment?
FC: Designers have as much social and environmental responsibility as any other human being. We can no longer exist as a human race pointing finger to who is responsible of what.
FS: How do you think the "design field" is evolving? What is the future of design?
FC: The Design’s natural evolution is design thinking into the administrative, corporate, business scenery.
FS: When was your last exhibition and where was it? And when do you want to hold your next exhibition?
FC: Last year I had a fantastic Solo exhibition at Avia Gallery in Guatemala City. It was a 20 year career celebration. With the gallery, we created a Chronological exhibition of my work with objects that dated back to 1997. General public had a unique access to see work that is on private collections, award winner products, and anniversary unique pieces. My next exhibition is schedule for December 18th 2018, in Antigua Guatemala at Hotel Santo Domingo. I will be exhibiting a new Artistic series entitle “Inherencia”. The Art work refers to the interaction of three elements that is constantly found on nature such as: past-present-future, the Trinity, heart-mind-spirit.
FS: Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
FC: I manage two aspects on the design inspiration topic. First it is important to tackle the solution to the problem, once that is done I focus on aesthetics. Inspiration comes from: the project itself, past experiences, research and sensitivity.
FS: How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
FC: My design style is Modern, contemporary and extremely Exploratory. I enjoy listening to my clients and interpreting their ideas, that primarily come from emotions.
FS: Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
FC: I live in Guatemala City, the most cosmopolitan city of Central America. Any designer’s heritage should not affect the design, since design is about solving specific situations. Sure many designers make project base on their heritage but that is different. The pro of designing in my city is that people love contemporary design.
FS: How do you work with companies?
FC: It’s important as a designer to understand that companies have protocols and processes. It is essential to follow those rules and talk the language they understand, Cost vs benefit.
FS: What are your suggestions to companies for working with a designer? How can companies select a good designer?
FC: A good designer is that who listen to the client’s narrative and is able to develop a timeline.
FS: Can you talk a little about your design process?
FC: Immerse my brain on project’s information and let the brain do its magic. Then I go analytic with the result.
FS: What are 5 of your favorite design items at home?
FC: French press, Porsche 928, Lego Back to the future Delorean, dishwasher and KSD-2 lounge chair
FS: Can you describe a day in your life?
FC: Sure, Wake up go biking or gym, then take my kid to the bus stop, go to a quiet place or coffee shop to brainstorm new projects, from there I go meet the design and financial team at the office, lunch, meeting with clients, play time with my kid, family dinner, flexible time.
FS: Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
FC: When finishing school, it is hard for designers to find a job. That is because all apply to the same jobs. On my early days as a designer, I analyzed myself and evaluated my abilities and interests from early childhood to high school. Then I developed my design on those areas. I rode bikes as a kid so I worked at a bike company. I played squash as a teen ager, so I design a sales and Marketing plan to represent sport equipment in Guatemala and executed it. I was passionate for art in College so I design for Art. So look at what you enjoy as a kid and apply design to that area.
FS: From your perspective, what would you say are some positives and negatives of being a designer?
FC: The positive of being a good designer is being able to forth see the future and tendencies base on observation. The negative………..there is no negative.
FS: What is your "golden rule" in design?
FC: My golden rule is always to overpass expectations
FS: What skills are most important for a designer?
FC: That will depend on the designer goals. But generally speaking a designer most understand productions processes, communication, general accounting, and Drawing.
FS: Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
FC: The tool box keeps growing; now days the mobile device is my favorite tool, with applications such as WhatsApp, Camera, light and Levels I am able to stay mobile an managing the office. Yet a note book and a pen still essential for the job. About software at the office we use Autocad, 3DMax, Illustrator, Photoshop, Coreldraw.
FS: Designing can sometimes be a really time consuming task, how do you manage your time?
FC: It’s important to build a team and delegate tasks to the members.
FS: How long does it take to design an object from beginning to end?
FC: Well, it can take from three weeks to several months depending on complexity.
FS: What is the most frequently asked question to you, as a designer?
FC: What are you working on this days?
FS: What was your most important job experience?
FC: Three jobs have forged my design vision. The most currently, designing artistic plinths for a private collection of contemporary Latin Art. It intensified my art appreciation skills. I worked as a custom lighting metal fabricator my first year after design school. I learn firsthand what it takes to produce objects. During Design School I had a fantastic internship at a Custom bicycle manufacturing company. There I learned precision and quality.
FS: Who are some of your clients?
FC: My clients come from broad fields of work and lifestyle. Yet when they pursue a Design project with me, all have a common emotional goal that surpasses the mere need of acquiring a product. Some of my clients are Art Collectors, Doctors, design enthusiasts, hospital, hotels and restaurants.
FS: What type of design work do you enjoy the most and why?
FC: I enjoy design in general. Design is a methodology that brings balance and can be apply across all fields. The design that positively influence the most, perhaps bring more satisfaction.
FS: What are your future plans? What is next for you?
FC: Art and Design is about bringing innovative ideas to solve situations. Humanity is at an exciting time, to me is important to be active in the community. I am looking forward to engage on Public Cultural Affairs
FS: Do you work as a team, or do you develop your designs yourself?
FC: It’s a combination of both. Typically the result is an exercise of collaborative effort that evolves from an idea I am exploring. I encourage the entire team, even the financial people to propose ideas and concerns. It is a lot more fun and usually the project benefits from it.
FS: Do you have any works-in-progress being designed that you would like to talk about?
FC: we have some fantastic projects! One of them is a custom Sculpture for Artist and Red Carpet dresses Designer Nicolas Felizola who is celebrating 30 years of Artistic Career. Nicolas is good Friend and fantastic Artist.
FS: How can people contact you?
FC: by mail at : fabrizio@fabrizioconstanza.comFacebook: Fabrizio Constanzaskype: fabrizio Constanzatelephone: 502-5202-6064
FS: Thank you for providing us with this opportunity to interview you.
A’ Design Award and Competitions grants rights to press members and bloggers to use parts of this interview. This interview is provided as it is; DesignPRWire and A' Design Award and Competitions cannot be held responsible for the answers given by participating designers.
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