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Carybe Armchair by Ronald Scliar Sasson |
Home > Winners > Design #53162 >Interview |
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FS: What is the main principle, idea and inspiration behind your design?
RS: The design is an armchair with apparent wooden structure making a connotation to the Bauhaus school.
FS: What has been your main focus in designing this work? Especially what did you want to achieve?
RS: The main focus was to counterpose a light and apparent wood structure with a large and important armchair.
FS: What are your future plans for this award winning design?
RS: Viable the project in the European territory, through factories or stores.
FS: How long did it take you to design this particular concept?
RS: From the original design to the final design were used 6 months.
FS: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
RS: This particular design is an old design that I wanted to manufacture a long time ago, and only now I had the possibility.
FS: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
RS: It is already being manufactured by a Brazilian company, but if any company in Europe wants to take over production this proposal will be analyzed.
FS: What made you design this particular type of work?
RS: I follow the criterion of trait and I am faithful to this style by prerrogativa of profession
FS: Where there any other designs and/or designers that helped the influence the design of your work?
RS: No, it's a completely solo project.
FS: Who is the target customer for his design?
RS: People who like design with few elements and minimalist.
FS: What sets this design apart from other similar or resembling concepts?
RS: The external structure in apparent wood and the aesthetic design in the form of seat fit.
FS: How did you come up with the name for this design? What does it mean?
RS: It is a tribute to an Argentine artist, who lived in Brazil for many years and adopted it as his second nation.
FS: Which design tools did you use when you were working on this project?
RS: Center of machining of five axes and conventional upholstery.
FS: What is the most unique aspect of your design?
RS: Economics in details.
FS: Who did you collaborate with for this design? Did you work with people with technical / specialized skills?
RS: Engineering team of the factories involved in the project.
FS: What is the role of technology in this particular design?
RS: Fundamental for accurately executing the wooden structure.
FS: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
RS: The research I always do before any project involves purpose, criterion and style.
FS: What are some of the challenges you faced during the design/realization of your concept?
RS: Difficulty of execution for the structure to resist the weight of the seat without compromising aesthetics.
FS: How did you decide to submit your design to an international design competition?
RS: I have always based my designs for the contest, because I have intellectual and commercial support in them.
FS: What did you learn or how did you improve yourself during the designing of this work?
RS: Challenges in conducting thin wood folds without losing endurance.
FS: Any other things you would like to cover that have not been covered in these questions?
RS: No
FS: Thank you for providing us with this opportunity to interview you.
A' Design Award and Competitions grants rights to press members and bloggers to use parts of this interview. This interview is provided as it is; DesignPRWire and A' Design Award and Competitions cannot be held responsible for the answers given by participating designers.
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